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・ Anthony G. Brown
・ Anthony G. Collins
・ Anthony G. Constantinides
・ Anthony G. Crutchfield
・ Anthony G. Evans
・ Anthony G. Forlini
・ Anthony G. Watson
・ Anthony Gadd
・ Anthony Gadie
・ Anthony Gaeta
・ Anthony Gaggi
・ Anthony Gaitor
・ Anthony Gale
・ Anthony Gale (ice sledge hockey)
・ Anthony Galea
Anthony Galla-Rini
・ Anthony Gallo
・ Anthony Galsworthy
・ Anthony Gardner
・ Anthony Gargrave
・ Anthony Garner
・ Anthony Garofoli
・ Anthony Garotinho
・ Anthony Gate
・ Anthony Gates
・ Anthony Gatto
・ Anthony Gatto (composer)
・ Anthony Gauvin
・ Anthony Geary
・ Anthony Gell School


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Anthony Galla-Rini : ウィキペディア英語版
Anthony Galla-Rini

Anthony Galla-Rini (January 18, 1904 – July 30, 2006) was a celebrated American accordionist, arranger, composer, conductor, author, and teacher, and is considered by many to be the first American accordionist to promote the accordion as a "legitimate" concert instrument.
==Early life==

Galla-Rini was born in Manchester, Connecticut, the third of seven children to John and Angela Galla-Rini, an Italian immigrant family. His father started teaching Galla-Rini the cornet at the age of four. In the same year, he made his debut on the Vaudeville circuit with the family band, and an encore performance of "Casey Jones" on the cornet. It was at this time that Galla-Rini also learned to play the accordion, a three-row button instrument.
Galla-Rini performed on the Vaudeville circuit for twenty years, in that time learning to play 11 woodwind and brass instruments in addition to the accordion, as well as theory in harmony and counterpoint, and operatic and symphonic conducting. He toured the United States with his family, playing with such Vaudeville stars as Mae West, The Marx Brothers, Jack Benny, Jimmy Durante, and Eddie Cantor.
After his sisters dropped out of the family's act when he was twelve, Galla-Rini's accordion playing became more important to the act as his father John played a more diverse range of instruments. It was at this time Galla-Rini realized the accordion was a complete musical instrument in itself, devoting more time and attention to the accordion and eventually abandoning all other musical instruments in favor of the accordion.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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